An adaptation of nine stories from Bocaccio's "Decameron": A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happen= s after death. Pasolini is up to his old tricks satirizing the Church, and throwing in liberal doses of life and love... Первый фильм средневековой трилогии выдающегося итальянского поэта, писателя и кинорежиссера Пьера Паоло Пазолини, в которую позднее вошли (1971) и (1972). Откровенные новеллы Джованни Бокаччо о сексуальных похождениях в четырнадцатом веке нашли достойное воплощение в этой картине, великолепно передающей колорит эпохи и отличающейся озорным юмором... Le novelle di Ser Ciappelletto, morto in odore di santità, e dell'allievo di Giotto ne legano altre sette: Andreuccio viene derubato da una donna che si finge sua sorellastra, ma si rifà spogliando di tutti i gioielli la salma di un alto prelato; Masetto, finto sordomuto, entra in un convento di suore dalle quali si lascia sedurre; Lisabetta conserva la testa dell'amato, ucciso dai propri fratelli, in un vaso di basilico; Caterina e Riccardo coronano il loro sogno d'amore con il matrimonio; dall'Aldilà Tingoccio rivela al timorato Meuccio che far l'amore non è peccato; fingendo di volerla trasformare in puledra, donno Gianni si gode la moglie di un ingenuo contadino; l'infedele Peronella induce il marito a introdursi in una giara per impedirgli di scoprire il suo amante. Il film inaugura la trilogia con la quale Pasolini intese attaccare la cultura sessuofobica. Il mondo borghese di Boccaccio è trasformato in una mitica età dell'oro popolare, regno di una gioiosa e innocente assenza di tabù. |
18 June 2010 Views: 3599Comments: 2 |
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At the age of eight, a young girl named Leslie (Gillian Jacobs) is kidnapped by Alex (Tom Arnold), and Frank (Kevin Zegers). Alex tricks her into helping him find his dog Trixie, then takes her to school; during the ride, he pretends that her father is his boss, thus earning her trust. After school, Alex and Frank find her again; they lure her into their car with a story about her dad being in trouble. Then they drug her and take her to their house. Alex tells her that her parents do not want her anymore. As proof, he provides a phone number to her "father's cell phone" (actually just a pay phone), and when her repeated calls are unanswered, she eventually accepts his story. She and another victim, a young boy named Donny, are forced into prostitution and child-pornography. Alex is very protective and fatherly to them, which adds to her confusion. Their clientele include men in positions of authority, such as a court judge, and they are told that they are lucky to be with such good and honorable men. As a coping mechanism, Donny and Leslie pretend they are in an imaginary world based on the stories of Mowgli and the Jungle Book. One day, Leslie goes to a convenience store, where it becomes apparent that her parents are looking for her, due to the fact that her picture is on milk cartons. Leslie doesn't see the cartons, thus preserving her notion that her parents don't want her, but an owner of the store recognizes her, and alerts the police to her presence in the neighborhood. The police show up at Alex and Frank's house, and the two kidnappers hastily escape with the children...
Лесли (Gillian Jacobs) борется за выживание на улицах Сан Диего вместе с единственным другом детства Донни (Evan Ross), который заботится о ней. Ребята пытаются справиться с психологической травмой — 9 лет назад их похитили двое мужчин и держали в качестве заложников. |
| 6 November 2009Views: 2645Comments: 1 |
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1917 год. Вайолет (Brooke Shield) живет со своей матерью Хэтти (Susan Sarandons), проституткой, в Новом Орлеане. Она кажется трогательно невинной даже после того, как в возрасте 12 лет ее девственность продана за большую по тем временам сумму в 400 долларов. Уйдя из борделя, она некоторое время живет с фотографом И.Дж.Беллоком (реальный персонаж). В конце концов, Вайолет воссоединяется с матерью, которая тоже бежала из борделя, чтобы вести более "респектабельную" жизнь. Сила чрезвычайно красиво снятого и, может, несколько медлительного фильма заключается в одновременной презентации двух точек зрения. Первая - точка зрения Вайолет, чья чарующая и невинная любовь к жизни - такой, какая она есть - настолько убедительна, что зритель понимает: вход в "цивилизованное" общество станет ее истинным падением. И второй - точки зрения фотографа Беллока, для которого и девочка, и ее окружение эротичны и художественны...
Добpотная и pеалистичная тpагикомедия, заслуживающая самых высоких оценок за pежиссуpу, постановочную часть и игpу актёpов. Хотя фильм пpоизводит довольно тягостное впечатление. Все-таки одно дело пеpвая любовь, pанний сексуальный опыт, и дpугое - пpоституция в 12 лет... 1917, the last months of legal prostitution in Storyville - New Orleans' red-light district. Hattie, a prostitute at the elegant home of Madame Nell, and her 12-year-old daughter Violet are the only ones awake with photographer Ernest J. Bellocq comes by with his camera. He takes pictures of Hattie and he fascinates Violet. Over the next few months, Nell arranges for the auction of Violet's virginity, Hattie marries and goes to St. Louis leaving Violet behind, and Violet determines to marry Bellocq. Is this idyllic or is she just a girl wearing rouge, soon to return to childhood? |
| 26 June 2009Views: 1727Comments: 1 |
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