London, England. Carol Hammond (Florinda Bolkan) is the daughter of a wealthy lawyer and politician named Edmund Brighton (Leo Genn). Her husband Frank (Jean Sorel) is a lawyer working for Brighton's practice. The all live together in a large apartment with Joan (Edy Gall), Frank's teenage daughter from a previous marriage. Carol has been visiting a psychoanalyst (George Rigaud) because of a string of disturbing dreams shes been having featuring her decadent neighbor, Julia Durer (Anita Strindberg). Julia's frequent, late-night parties infuriate and yet exite Carol, evoking images of wild sex-and-drug orgies.

During a meeting between Edmund and Frank, they talk about their recent court cases in which Edmund asks Frank if he has been unfaithful to Carol, which Frank denies. Then a phone call is made by an anonymous woman who claims to Edmund that she has damaging information about his family. But unknown to everyone, Frank is indeed having an affair with his personal secretary Deborah whom he meets after work at her country house for some romantic tryst.

Carols dreams continue which become more complicated during scenes that appear to be dreams or hallucinations, but may be partly real. Describing her latest one to her psychoanalyst, they depict a lesbian encounter between the two women, culminating in Carol grisly stabbing the seductive Julia to death. In an enigmatic coda to the dream sequence, Carol sees two kaftan-clad hippies (Mike Kennedy and Penny Brown) who have apparently witnessed the whole thing without intervening.

The following day, it's revealed that Julia Durer has indeed been murdered. Inspector Corvin (Stanley Baker) from Scotland Yard arrives to take charge of the investigation. The room and condition of the dead body are identical to their depiction in the dream sequence. To make matters even more incriminating, there is a discarded fur coat near the body. Learning of the murder, Carol insists that she see the scene of the crime and when she enters Julia's apartment and sees the body, she faints.

After weeding out a false and self-serving confession from delirious regular at the Durer parties, Corvin focuses on Carol Hammond. In the meanwhile, Carol, during a shopping excursion with her step-daughter Joan, see the two hippies from her dream sequence. Following them to an abandoned theater where other hippies hang out, Joan asks them if they know Carol or have ever seen her before. Neither the hippy man or woman claim that they havent.

As the evidence against Carol mounts, the police surreptitiously obtain her fingerprints, which match those found on the murder weapon, and Carol is soon arrested and charged with murdering Julia. However, doubts begin to circulate with Corvin as he wonders if she is the killer, why was she describing the murder to her psychananalyst in detail before it actually took place? Could it be that someone has read her dream diary that she kept and modeled the killing on dream images she described in order to frame her for something she fantasized about? Corvin also wonders if Carol is the killer, who are the two hippies she claims to have witnessed her crime without intervening?

As Carol is awaiting trial in the grounds of a maximum security sanitorium, she sees one of the hippies break in and chase her through the grounds. Carol flees into the building and in trying to hide she enters a room containing a hideous experiment: four live dogs, claimed in an upright position, whimper helplessly, their abdomens sliced open and pinned with surgical clamps exposing their glistening innards and still beating hearts. Carol faints in horror. When she comes around, there is no trace of the threatening man. The sanitorium director thinks that Carols ramblings about the intruder, and the disemboweled dogs, must have been another one of her elaborate hallucinations.

Meanwhile, Carol's father swings into overdrive with her case and manages to elaborate a suspicion that appeals to the police. Edmund Brighton discovers Frank's affair with Deborah and that Julia Durer had been blackmailing him for money as not to expose his extramarital affair. Brighton's argument is enough to get Carol released on bail, but Frank remains free and desperately tries to prove his innocence. While relaxing at Brighton's country estate, Carol is contacted by the hippy woman and agrees to meet with them at a secret rendezvous, at the Alexandra Palace in North London. Once there, Carol is attacked by the hippy man in the cellar and chased through the building where she gets attacked by bats in the attic and gets brutally stabbed as the hippy catches up to her on the rooftop. But Carol is rescued by the police, forcing the hippy to flee.

Another red herring emerges when Joan meets with the hippy woman concerning her stepmother's well being and agreeing to meet. The next day, Joan is found murdered in a field with her throat cut. Inspector Corvin meets with Carol recovering at her father's estate to ask about the hippie couple and of the blackmail that Julia Durer may have been planning for Frank.

Corvin finally tracks down and arrests the hippie couple, Hubert and Jenny, whom he takes to the scene of the crime to interrogate them about the Durer murder. Although Hubert admits to have stalked Carol and murdered Joan, they protest their innocence claiming not to remember anything about that night except for recalling "a lizard in a womans skin." Then a phone call comes informing the police that Brighton has been found dead at his estate, the victim of a suicide, and leaving behind a note confessing to the murder of Julia Durer which seems to wrap up the case.

A few days later, Carol is at her father's grave when Corvin arrives to offer his condolences to her. When Corvin asks Carol about the phone call that her father got from Julia Durer which Carol admits that she knew about, he asks how did she know that Julia Durer phoned Mr. Brighton on the day before she was murdered since he never told anybody about it. Too late to realize her slip, Corvin deduces Carol's guilt as she was with Julia Durer during that day the phone call was made. As it turns out, Carol Hammond really did kill Julia Durer after she threatened to go public with their lesbian relationship they've been having for several months. Carol did break into Julia's apartment and stabbed her to death, only to realize that two hippies saw her, which made her panic and leave the scene of the crime. Carol had felt certain that the two hippies would describe her to the police. The murderous, but perfectly sane, Carol entered the event in her dream diary immediately afterwards so by combining details of the murder with images from the recurring nightmares for which she had sought treatment, she hopped to avoid a murder sentence and get off with guilt by temporary insanity that the dream diary would provide plausible evidence in court of a split personality. But Carol did not realize that both hippies where high on LSD and unable to register the significance of what they saw that night. Carol is then led away by Inspector Corvin from her father's grave to a waiting police car.

Пояркова Жанна: Рецензия на фильм "Ящерица в женском обличье"

В свое время фильм был скандальным, но сейчас смотрится как стильный, классический детектив. Модные элементы психоанализа, видения, лесбийские сцены — и великолепная чопорность, интеллигентность, сдержанность главной героини создают увлекающий контраст, за который "Ящерицу..." легко полюбить. Помимо этого в фильме содержится психоделическая поэтичность, раскрывающая нетривиальное название, а также зловещие хиппи, больницы, храмы и... Кажется, я увлеклась. Итак, в центре повествования — богатая замужняя женщина, которая посещает психоаналитика и рассказывает ему свои странные сны. В сновидениях постоянно появляется заполненный обнаженными людьми коридор, через который изо всех сил продирается героиня, чтобы оказаться в богатой комнате, где ей овладевает распутная женщина, в реальности являющаяся ее соседкой с сомнительной репутацией. У психоаналитика находится масса объяснений навязчивому видению, но спустя некоторое время соседку убивают. Причем точно так же, как снилось героине. Стоит ли объяснять ее смятение?

И вот дальше Фульчи мастерски ведет нас от опасения и страха за невинную женщину до ужаса погони, почти мистических событий. В жизнь уважаемой семьи вторгаются непонятные личности, а цепочка подозреваемых поворачивается все новым и новым звеном. Никто, оказывается, не без греха, и убить развратную соседку было множество мотивов у каждого, хотя с первого взгляда и не догадаешься. События ожесточаются еще и тем, что убийства внезапно продолжаются, а подозрительные хиппи никак не хотят давать показания, ухмыляясь как демоны. Честно говоря, многим из современных триллеров хочется пожелать напряжения, которое умел создавать Фульчи. Он заставляет сомневаться в своем рассудке так же, как это делает героиня. Охота за ней то начинается, то пропадает, словно все являлось лишь выдумкой. Кто виноват? Отец? Дочь? Муж? Полицейские теряются в догадках.

Фульчи снял эту картину после знаменитой "Инквизиции" ("Беатриче Ченчи"), причем знаменитой не так, как хотелось режиссеру, называвшему ее прекрасной. Извращенная история о мучениях, которым инквизиция подвергала женщину, вызвала такую ярость у многих, что на премьере фильма в Великобритании Фульчи встретили с лозунгом "Смерть режиссеру!". В "Ящерице" уже присутствует садистская сцена с собаками, хотя своему дикому воображению режиссер дал разыграться позднее. В этом смысле "Ящерица" весьма сдержанное кино.

Отдельно хочется отметить филигранную игру Флоринды Болкан и сцены погони в церкви. Адреналин зашкаливает, в ушах толчки, словно это ты там бежишь и скрываешься, оставаясь на волосок от гибели. Последний аккорд академичен и вполне в детективном духе, когда наручники защелкиваются на чужом запястье, а ты провожаешь взглядом край стильной шляпы.

Информация о фильме:
Название: Ящерица в женском обличье
Оригинальное название: Una lucertola con la pelle di donna
Год выхода: 1971
Жанр: ужасы, мистика, триллер, giallo
Режиссер / Director: Лючио Фульчи / Lucio Fulci
Сценарий / Writers: Lucio Fulci (screenplay & story)
Оператор / Cinematography by: Luigi Kuveiller
Original Music by: Ennio Morricone